KS3 · Physical education · Year 9
Move, don’t move: relationships and stillness
Dance: the challenge
Learn it. Recall it. Make it stick.
IllumED Slides
IllumED · 1/10
Your learning goal
I can use stillness to add contrast.
1 of 10
Move, don’t move: relationships and stillness: slides adapted from the imported teaching text; recall questions created from its keywords, learning points and common mistakes. Self-check practice, with no automatic grading or XP. Answers stay on this page and are cleared when you leave.
What you’ll learn
I can use stillness to add contrast.
Key learning points
- Move: stillness requires the precise use of balance, strength and control.
- Move: an aesthetic dance will include both physical and expressive skills.
- Think: deciding when and how to apply stillness involves evaluating the effect from the audience’s perspective.
- Feel: useful feedback is delivered with honesty and integrity.
- Connect: making adjustments to choreography requires all performers to cooperate fully.
Words to know
- stillness
- the absence of motion
- contrast
- distinctly different
- staging
- how the audience are positioned for a performance
Common mistakes
The audience are always directly facing the stage/performers.
Whilst most theatres use an 'end on' arrangement, this isn't always the case. Fashion shows traditionally use a 'thrust' stage, lecture-demonstrations might use 'in the round' and performances such as Mummers' plays, may use 'promenade'.
For parents, carers and teachers
- When sharing work during a lesson, it is often easier for less experienced pupils to move the location of the audience than ask the performers to reorientate their work.

